Recently I’ve been writing more for VODzilla, an online magazine dedicated to all things you can stream online. Click below for TV recaps of Shadowhunters, reviews of some terrible Christmas films and a column dedicated to Netflix’s notorious kid’s films. In the meantime, here is a section of my review of Aloha.
The critical hammering and box office disappearance of Cameron Crowe’s latest film in the US meant that Aloha never made it to UK cinemas. In the UK, it’s now furtively appearing on streaming services for fans of Bradley Cooper or Emma Stone.
The US critics were right about this one: Aloha is a dud of such tonal awkwardness that Stone’s infamous ethnically mixed character is the least of the film’s problems. The story, as such, is about Cooper’s pilot, Brian Gilcrest, who worked for NASA before returning to a sleepy post on Hawaii. While there, he reconnects with his old flame, played by Rachel McAdams, and sparks fly with his fellow officer, Allison Ng (Stone). Gilcrest’s job is to try and persuade Hawaii’s indigenous population to let them send a rocket into space, or something. Bill Murray potters in and out spouting something about the future and Danny McBride substitutes moving his hands around a lot for a real character.